Mouth of Hell

Mouth of Hell ( *or Ariel, Archangel of Nature locks the gates of Hell)

*oil painting on cancas

 

The Mouse's tale about end of the God of humans

 

At night the dead came back again and amidst complaining said: "One more thing we must know, because we had forgotten to discuss it: teach us concerning man.

-Man is a portal through which one enters from the outer world of the gods, demons and souls, into the inner world - from the greater world into the smaller world. Small and insignificant is man; one leaves him soon behind, and thus one enters once more into infinite space, into the microcosm, into the inner eternity.

In immeasurable distance there glimmers a solitary star on the highest point of heaven. This is the only God of this lonely one. This is his world, his Pleroma, his divinity.

In this world man is Abraxas, who gives birth to and devours his own world.
This star is man's God and goal.
It is his guiding divinity: in it man finds repose.

To it goes the long journey of the soul after death; in it shine all things which otherwise might keep man from the greater world with the brilliance of a great light.

To this One, man ought to pray.
Such a prayer increases the light of the star.
Such a prayer builds a bridge over death.
It increases the life of the microcosm; when the outer world grows cold, this star still shines.

There is nothing that can separate man from his own God, if man can only turn his gaze away from the fiery spectacle of Abraxas.

Man here, God there. Weakness and insignificance here, eternal creative power there.
Here is but darkness and damp cold. There all is sunshine.

Upon hearing this the dead fell silent, and they rose up like smoke rises over the fire of the shepherd, who guards his flock by night.

~Sermo VII, in Stephan A. Hoeller, The gnostic Jung and The Seven Sermons to the dead.

*Image: The Mouse's tale about end of the God of humans from the series China from Ankh-Morpork, or Everything You Always Wanted to Know about Death * ( but Were Afraid to Ask). Oil painting on canvas.

Liminal

 

Stage before purification

ink drawing on paper, made in 2020

Primavera

 Primavera or continuation of alchemical process ( fermentation) 

ink drawing on paper, made in 2020

Quantum entanglement

 Co się dzieje, gdy klient od dłuższego czasu prosi o dobrą erotykę ( dobrą?), a dzień przed czyta się alchemicznie papiery i na nowo odkrywa mechanikę kwantową.

Wiązania.
Piórko i tusz na archiwalnym papierze, made in 2020

Wolf or the Shapeshifter

 ink drawing on paper, made in 2020

Shedim

 Shedim. 

*ink drawing on paper, made in 2020

Mandala

 

Mandala, ink drawingon paper, made in 2020

Kolejna mandala, tym razem ze środka. I z zakodowanym, miejscami zniekształconym tekstem - echo, echo ( kto chce, może spróbować to odkodować, początek w połowie z prawej strony).

Studnia,
rysunek tuszami na papierze,
Format 50 cm x 50 cm

Again with fish mandala motif, but with a different context. And with distorted verse - echo, echo - to decipher ( the beginning in the middle of the right side). Feel welcome.

The Well,
inks drawing on paper,
50 cm x 50 cm

Vanitas

Zmieniłam. Skończyłam kolejny etap.

 *Vanitas, oil painting on mdf board, 44x60cm

Schulz

 

Crocodile Street ( * fortune telling version). All here is readable, all predictable, just follow the path, don't let to be distracted by mirages and what is for you, will be revealed.

*from the series: plays with unconsciousness 

*oil painting on wooden panel, 51×76 cm.

Ulica Krokodyli (* wersja wróżbiarska). Wszystko tutaj jest czytalne, przepowiadalne, wystarczy, że miraże Cię nie rozproszą i będziesz się trzymał ścieżki, a to, co dla Ciebie, będzie ci ukazane.

*Z serii: zabawy z podświadomością

*malarstwo olejne na płótnie, 51x76 cm.